Write Between Worlds

"the future belongs to the curious" - Jules et Jim

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Miniature

sunbird cape honeyuckle

Emerald-bright sun-

bird hails a honey-

suckle, sips 

the orange sweetness

with an arching needle,

hovers -

a suspended paint splash

in a living canvas. 

Filed under poetry nature

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The awakening goddess II: the sax player

Clarence Clemens

In a quake she lost her head, 

but the wave of his sax, she hears

in her stomach, her model womb,

and she’s moving again.

You won’t see it

you watch her sitting, passive as ever. 

There,  just a snake


of his music you might catch 

in her languid form. 

The tremor of stone is invisible

to any but closed eyes,

you have to listen to it,

as she listens to him

playing in a tavern



fifty centuries from where she sits,

to whistling sailors who earlier laughed 

at her. Time binds her to a 

stand but wakens her stone heart

to dance and sway.

Such music! It breezes round 

her, through her, down her exposed 


breasts and throbs 

a romance. Whom has he lost 

to play like that? He goes

to a blue place where only she can reach

him, away from the din of the club, away

from our blind ears 

into her fertile arms.


When he plays he is hers

and every note he breathes is her  

breath.   When the applause rings

away he goes back to the everyday 

but she knows,  with an old woman’s 

lust, that he keeps a whisper on his lips

for her, hot on the lips of his sax.

Filed under poetry goddess malta saxophone desire

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The awakening goddess

She’s spent so long asleep in this way,

an eternity of moving limbs

while she just lay, not gazing, not thinking -

but she has felt the winds from the sea 

carve her cheekbones,  

the salt on her round thighs caressed

by children, by lovers, by passing  sailors 

who laughed at her inflated hips.


How small she is, they say, how composed.

Don’t  think she would not

disgrace herself. So many years 

of being good, it weighs on a woman.


She longs to move her arms, to stretch

out to the sky, at last to wake! 

rub her infertile stomach, her bottom, dance 

a jig around the town square and see

them stare - how she would roar her huge belly 

laugh, a fart in their faces who have been mocking her. 

Above all she wants to wrap her legs around the sailors 

and squeeze.


The itch in her shoulder will not go,

that just a little movement

would scratch - ah no! she forgets, 

she lost her right hand and must itch forever, unless

they do it for her, the sailors, the lovers, the children

she will never have, who stroke her gigantic 

breasts,  huddle in her arms,

blow their five-year old breath on her old cheeks.


Soon she will lose that as well: they plan 

to place her in walls, bind her in glass, 

stick a label in front of her - Do Not Touch,

Sleeping Goddess, circa 3000 BC, Malta.

She doesn’t feel her age, perhaps because she’s no mind

to feel it, just raw arms, raw legs, raw belly. 

Filed under Poetry goddess malta writing

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Everytime I look into your face

A poem about a Rwandan genocide prisoner. I visited many of them in my year there, held in cachots throughout the province where I worked.


Everytime I look into your face

I see
banana groves bending in the rain, children
being born - one a year ; cousins, brothers,
and neighbours gifting tall lilies
for each child. I see hills
as round as your wife’s breasts
before she bore your first,
or as your round cheeks, and as freshly green :
age and memory have not caught up with you.

Everytime I listen to your voice, I hear
your graceful-horned cows shuffling and lowing
by streams in open water-meadows,
I hear clear water over stones,
that throws itself, out of sight, into the muddy
river. I hear shots of laughter
at a wedding, and shouts
of joy when the sweet banana liquor
flows up the woodstraw straight into your eyes.

Everytime I come close to your skin
I smell the thud of hoe on the red earth
of your small holding. I smell the sweat
of your long morning’s work in the sun
washed off by the afternoon’s rain.
I smell the churning sour milk
and the sour sorghum beer your wife prepares
sitting on her heels. I smell the milky
skin of the new baby she carries on her back.

I don’t smell the children
you killed and threw into
the muddy river. I don’t hear
their cries that turn your nights
into dark days, slower than tears.

I don’t see the face of the woman
you plundered, first with your sex
then with your harvest knife,
taking her life as you beheaded sorhgum
every June that you remember: but that one.

I don’t see a bed on which to rest
your nightmares, your limbs stiff from too much squatting
and surviving; your skin
that glows with unnature

Every time I look into your face
I see tenderness trying to redeem you
the quick soft pull of your fingers
sewing a pillow for the cell-mate
whose dreams are more bottomless than yours
but in your eyes I see a mind emptied
of all past: and all hope

every time I hear your voice
– what’s a voice ? your cough stills
all conversation – I hear the blood that fills
your lungs with sentenced death,

and smell your fear :
you don’t fear death, you don’t even fear hell ;
you fear the moment when the soap runs out
or your wife finds another man
to round her belly; or the sorghum meal
is stolen from your unguarded pack; and at night
surrounded by haunting faces,
you fear that tomorrow you’ll hear
the ibis cry as it flies overhead
from your cell to the hills
from the hills to the river.

©Sophie Nussle

Filed under Poetry writing Rwanda Genocide Prisoners

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The world is too much with us; late and soon,
Getting and spending, we lay waste our powers:
Little we see in nature that is ours;
We have given out hearst away, a sordid boon!
This Sea that bares her bosom to the moon;
The Winds that will be howling at all hours
And are up-gathered now like sleeping flowers;
For this, for every thing, we are out of tune;
It moves us not. Great God! I’d rather be
A Pagan suckled in a creed outworn;
So might I, standing on this pleasant lea,
Have glimpses that would make me less forlorn;
Have sight of Proteus coming from the sea;
Or hear old Triton blow his wreathed horn.
~ William Wordsworth (1770 - 1850)

Filed under poetry Wordsworth Lake District